Weekly output: the public domain expands, JetBlue resets passwords

Weather permitting, Monday morning will see me resume my annual pilgrimage to Las Vegas to cover CES. I expect to see a much smaller version of the usual gadget show, thanks to all of the exhibitors that have opted out of a physical presence; for once, CES traffic may be tolerable.

Screenshot of PCMag post as seen in Chrome for Android12/29/2021: Flood of Creative Works Enter the Public Domain on Jan. 1, PCMag

After writing about the overdue expansion of the public domain for Forbes at the end of 2020, I had to revisit the topic for PCMag on the eve of a new crop of creative works entering the public domain. This piece led to one of the more amusing correction requests I’ve ever gotten: The piece as posted envisaged a literary mashup of A. A. Milne’s Winnie-the-Pooh and Ernest Hemingway’s The Sun Also Rises in which Pooh and Tigger would journey to Hemingway’s 1920s Paris to indulge in some drunken debauchery, but multiple readers noted that Tigger doesn’t make his entrance until Milne’s The House on Pooh Corner, which won’t enter the public domain for another two years. I regret the error.

12/30/2021: JetBlue Tosses Most Passwords Out the Emergency Exit, PCMag

I’m beyond tired of seeing companies shove a mass password reset on their customers without explanation, and this time I had an opportunity to quiz one company briefly about what led to this kind of customer-hostile move.

 

Weekly output: an expanding public domain

Four days to go in this year, less than 24 days to go in Donald Trump’s term.

12/24/2020: You’ll Be Able To Download A Lot More Stuff For Free—Legally—Jan. 1, Forbes

I had meant to write last year about the overdue reopening of the public domain after 21 years of its expansion being closed off because of the 1998 Sonny Bono Copyright Term Extension Act. But my friend Glenn Fleishman beat me to it with a terrific story for Smithsonian. Fortunately, Congress refrained from passing yet another retroactive extension of copyright terms, allowing me to celebrate the impending unlocking of 1925’s creative works for reuse and remix–and explain how we haven’t seen the old intellectual-property-policy script get yet another remake in Washington.