At least I’m getting caught up with my photography

I’m old enough to remember putting pictures into photo albums as a regular rainy-day activity, so now that we’re in an endless series of metaphorical rainy days I’m not surprised to find myself finally editing, captioning, organizing and sharing old photos.

And I’m not surprised to doing this on Flickr, because I’m old enough to have started using social media before that term meant Facebook and Twitter. I’ve tried to keep up with sharing new photos there–both as I take individual ones that interest me and in album form (photoset form, if you’re an old-timer like me) after I come back from trips and events.

But those same trips and events also often got in the way of me taking the time to edit, caption, organize and share. Because Flickr isn’t Instagram, I want to take the time to make sure I’ve decided what makes one photo better than those I took immediately before and after and therefore worth including in an album–and then crop it just so and write a correct and useful caption instead of throwing in a clever phrase and stamping the pic #travel.

So my Flickr output lagged, even though as a paying Flickr Pro user I should want to get the most out of my money.

Now, however, I have nowhere to go and a lot more free time. So my photostream may have looked more like a time machine as I’ve finally posted albums from such past happenings as the 2018 edition of the IFA tech trade show, an hour or so I spent last April flying above Sonoma County in a friend’s plane, and last year’s Web Summit.

I’ve also filled out such older albums as my set of ballpark pictures and my collection of window-seat photos from aircraft. And each time I do this, I come across more old photos that I don’t want to keep confined to my private backup.

I worried at first that seeing pictures of interesting places that I can’t visit now or anytime soon would depress me, but instead this exercise has reminded me of what I like about photography. And at least that’s one hobby I can still pursue in my backyard if I must.

 

Taking gadget-porn photos

One of the lesser-known joys of my work is the chance to take pictures of the gadgets I review. It gives me a chance to exercise whatever photographic talents I may possess, and it frees my editors from running the same PR-provided shots or stock images that every other site can get.

But it’s taken me a while to acquire some basic competence at this weird art form.

The most difficult part of the exercise–still–is keeping dust and reflections out of a shot. In the sort of close-up photos often required for gadget photography, grains of dust can look as big as cookie crumbs–except when you’re looking at the viewfinder or screen of a camera while taking the shot. Likewise, the glossy screens on almost every portable gadget are frighteningly efficient at reflecting overhead lights, nearby windows, any decor on the walls, and the camera itself.

I deal with dust by taking a microfiber cloth, the kind you get for free with a new pair of glasses, to the device I want to photograph–even if it looks pristine. Then I repeat the exercise. As for reflections, you can avoid some of them by angling the device’s screen in just the right direction. But it’s easier to prop up a large sheet of posterboard in a position where its expanse of white will be reflected on the screen. In rare cases, you can use a reflection for artistic purposes.

Posterboard also makes for a decent backdrop, but it doesn’t exactly add any excitement to the composition. Instead, sometimes I’ll hold a phone in front of an expanse of wall or window and let the shallow depth of field provided by a macro focus blur out that  scenery.

Not often enough, I will think of a background that’s both more interesting and actually relevant to the subject–like when I parked an Apple TV and a Roku receiver on top of a page of TV listings. Putting a digital device next to a comparable analog object can yield interesting results too.

Or I can shoot so tightly that you can’t see anything else but a detail on the back or the screen of a device. The trick is to ensure that only the relevant plastic or pixels is left in focus to command a viewer’s attention; it would help if more cameras included the tap-to-focus feature offered by some smartphones.

You don’t need much of a camera for this sort of photography. Anything with a decent macro-focus mode and optical image stabilization (to compensate for the longer exposure times needed for indoor shots) should work. That allows for most point-and-shoot cameras–I’ve taken most of the shots linked to here with the cheap Canon I bought in 2007–but I’ve gotten decent results with some phones and tablets too.

Whatever the model, don’t even think of using the flash. You will quadruple your dust and reflection problems and make the device look too pale. You want to avoid that kind of sloppy result whether you’re trying to provide an accurate illustration in a gadget review or you just want a non-ugly photo for eBay–which is where I started picking up on some of these lessons.

If you have other tips or suggestions, I’ll take them in the comments.