A rite of (almost) spring renewed: SXSW PR thirstiness

Here’s how I know that SXSW is back to its usual self: “I had to pass up on the race-track event because I accepted an invitation to visit a nuclear reactor instead” is a true statement about my scheduling for this gathering in Austin. Even if it is also a profoundly weird one.

(Yes, there is a small research reactor on the campus of the University of Texas at Austin, and I have my journalistic reasons to stop by.)

Years ago, South by Southwest developed a second life as Marketing Spring Break–a time when social media managers, PR reps, ad execs, and brand ambassadors felt at liberty to set corporate credit cards on fire to try to get the interest of journalists and, more important, influencers with free tacos, free drinks, free BBQ, and more free drinks.

And then the pandemic rudely slammed the door shut on that judgment-free zone in 2020–in the process punching a hole in the pocketbooks of service-industry professionals and many other Austinites who counted on March as a bonus-income month.

SXSW resumed in person last year, but it wasn’t clear that its marketing-driven gift economy would resume. Now that does seem certain, to judge from the clogged state of my inbox as a stream of messages come with requests that I stop by this panel or that reception or this “activation” (in the SXSW context, that means renting out a bar or restaurant and turning it into a three-dimensional ad for the company in question). I can only imagine the ROI calculations that went into some of these events.

To be clear: I’m not complaining! Being this sought-out is nice, even if some of these PR types may be putting in this effort because they still think I write for USA Today. And even if all this attention–see also, CES–can make one wonder why the compensation of journalists doesn’t reflect the apparent value of our time and attention as indicated at events like this.

Because despite all the marketing hype, SXSW continues to gather smart people to talk about interesting problems in a city that I enjoy coming back to, and which has excellent food even if you must pay for it with your own credit card. See you soon, Austin!

Updated 3/10/2023 to make the title compliant with season definitions.

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Weekly output: Gmail storage management, ShowStoppers TV, Starlink reality check, ClearStory Connects

Happy Fourth! This year’s Independence Day is so much better than last year’s.

Screenshot of column as seen in USAT's iPad app6/28/2021: With Google’s new limit on free data storage, don’t forget your Gmail inbox. It could be stuffed, USA Today

This column started, as many do, with tech support for a relative: My mom was nearing the 15-gigabyte cap on her Google account, and almost all of that was the fault of various e-mail marketers unwilling to shut up.

6/28/2021: MWC 2021, ShowStoppers

I emceed this virtual demo event for companies looking to get some publicity out of this year’s mostly-virtual Mobile World Congress trade show. It was fun, but I would have rather been in Barcelona.

6/30/2021: Elon Musk says Starlink’s satellite internet is probably not for you, Fast Company

My own MWC coverage consisted of this writeup of SpaceX CEO Elon Musk’s reality-check interview at MWC (he also appeared remotely), in which he splashed cold water on some Starlink hopes while also not addressing a few concerns about that low-Earth-orbit satellite-broadband network.

7/2/2021: ClearStory Connects, ClearStory International

This Dublin-based PR firm had me on a video call to talk about my work and what I find works and doesn’t work in tech marketing. Spoiler alert: The “any interest?” follow-up remains unlikely to close any deals for me.

How to get a CES PR pitch wrong

2018 is only six days old, and I have already received 725 e-mails mentioning “CES” somewhere–and that’s excluding those from colleagues at various clients.

Something about this gargantuan electronics show makes tech-PR types needier and thirstier than at any other time of the year–which, in turn, makes tech-journalism types crankier than at any other time of the year. It’s not a good look for any of us.

With that volume of pitches, any one CES PR e-mail faces dire odds. Those odds get a lot worse if the message gets some basic stuff wrong.

Undisclosed location: Proximity drives scheduling at CES, because the traffic is so awful, so I need to know where an event is at before I decide if it’s worth my time. If you don’t say where your event is at, am I supposed to think it’s at some venue miles from the Strip?

While I’m on the subject, a five-digit booth number is not that much of a help, since that could be anywhere in several square miles of convention-center space.

Unannounced time: More CES pitches than you’d think forget another Invitation 101 thing, telling me when an event is happening. Please remember to put that in the message–by which I mean in the message’s text, so mail clients can detect it and offer to add it to my calendar.

Micromanaged scheduling: The Pepcom and ShowStoppers receptions are an efficient way for smaller companies to get exposure to the press and for journalists to get dinner and a drink or three to numb the pain. I always attend them. (Disclosure: The ShowStoppers people put together my annual trip to the IFA trade show in Berlin.) I don’t mind PR pitches saying that a client will be at one of these events. I really hate requests to book an appointment at them; please don’t waste my time with them.

Breaking the laws of CES physics: Press-conference day and opening day of CES–this time around, Monday and Tuesday–are the two busiest days of the show. Coaxing journalists to some event that isn’t at the primary venue for each day (Mandalay Bay for press conferences, the Las Vegas Convention Center for opening day) is generally a doomed endeavor. PR folks reading this: I wish you good luck in convincing your clients to not try this next year.

Some of these event invitations come with an offer of a free ride to or from the LVCC. On opening day, that car will have to be of the flying variety.

Standard-issue mail #fail. CES is no better than any other time to forget about the BCC line in your e-mail and instead send a pitch to 258 people on the To: line. Somebody did that this time around, and it worked about as well as you’d expect. One recipient took the time to techsplain to the sender how he should check out the BCC option–“I heard it was rolled out at CES 1977”–and of course did so by hitting reply-all himself.

Okay, maybe this SXSW commercialism really has gotten out of hand

AUSTIN–SXSW is really two events. One is the long series of panels and keynotes that teach me new things and get wheels turning in my brain for weeks afterward–for instance, yesterday President Obama did a Q&A that was supposed to be a sales pitch for SXSW techies to lend their talents to making government work better but wound up being his most revealing discussion about device encryption ever.

Sixth Street during SXSW(Twitter was not pleased with Obama’s displeasure about “fetishizing our phones above every other value,” to judge from my own timeline.)

But there’s also the Marketing Spring Break that surrounds this conference, in which every other social media manager, PR rep, advertising executive, and brand ambassador in America takes their employer or client’s corporate credit card and goes on a spending spree with restaurants, bars and caterers here.

The result is a schedule crammed with happy hours, receptions and parties, this year even more so than in the four before that I’ve been privileged to attend this event. My own calendar this evening features five events, most overlapping each other’s time slot. I am not sure what I could say to a normal human being’s “I hate you” assessment:

2) “Don’t hate the player, hate the game!”
3) Actually, just go ahead and hate me.

It’s not just tech startups lighting their investors’ money on fire in the hope of repeating Twitter’s 2007 SXSW breakout. The social scene here also features a wide variety of big-name Establishment firms looking to capture “mind share” by giving away free beer, tacos and BBQ–anytime I am overcome with SXSW-scheduling angst over which panel I won’t be able to attend, I can chill at the Scotts Miracle-Gro Connected Yard, the McDonald’s Loft, the Budweiser Beer Garage, or the Comcast Social Media Lounge.

I don’t know how all of these companies can get an acceptable return on their investment. What I do know: I’m not getting out of this place any skinnier.

Caring about social sharing, more or less

I recently made a non-trivial change in how I share links to my work on social media, and I’ll bet you didn’t notice: I stopped touting my work on Tumblr and resumed sharing it on Google+.

Social-network icons

But why would you, when my Tumblr presence has seen so little (sorry, buzzword alert) engagement since I opened an account there in February 2012 basically to augment my social-media literacy?

I had no idea at the time that in less than two years Yahoo would have bought Tumblr and that I would begin writing for a Yahoo site that uses Tumblr as part of its editing system. In other words, so much for worrying about being Tumblr-illiterate.

I kept on sharing a link to each new story to my several dozen Tumblr followers anyway, but a few weeks ago, Yahoo Tech switched to a new editing workflow that required me to set up a new Tumblr account. Having to log in and out of accounts on the same site as I alternate between writing stories and sharing them makes for a lot more work.

At almost the same time, I got some professional advice that Tumblr is not the right place to market your work anyway: At a panel during the Online News Association’s conference, Mashable’s Ryan Lytle said less than 1 percent of Tumblr posts are link shares, making that site “not a traffic play.”

Meanwhile, I’ve realized that while Google+ isn’t going to threaten Facebook or Twitter anytime soon, it continues to function fairly wel as an off-site comments thread. It does, however, remain the last place I share my work, after my Facebook page and then Twitter: Not only is my audience there smaller than on Twitter, Google+ doesn’t give me any useful analytics about how many people saw a post and clicked on its link. Maybe I’ll ditch G+ too in six months?

That ONA panel reminded me that I could be doing a lot more to flack for myself online–notice my absence from Instagram and Snapchat and my pitiful Pinterest participation?–but my leading occupational hazard is online distraction. I’d like to think that limiting my social-media marketing gives me that much more time to participate in the oldest social network of all, e-mail, but we all know how behind I am at that.