Flickr’s Android app still needs some work

Today brought yet another rerun of a mobile-app routine that I’d like to see closed out: I saw an update for Flickr’s Android app waiting on my Pixel 5a, I installed the update, I went out and took some photos, and I saw that Flickr still isn’t saving location data when it backs up pictures automatically.

As bugs go, this one is not too consequential. But it’s also gone unfixed since late December, when I first noticed it. Flickr’s customer support promptly responded to that tweet, asking me to send in a sample photo, and the response I got hours later let me hope for a fairly quick resolution.

“We did some testing with the image you provided, and got mixed results upon uploading to a private test account that we use for cases like this,” the rep wrote. “The issue seems specific to the app, and possibly to the new update of 4.16.6.”

But the Flickr app has since seen multiple updates–it’s now up to version 4.16.15–and I’m still seeing automatically uploaded photos stripped of their geotags. That seriously erodes Flickr’s use as an unlimited-storage image backup vault; fortunately, I mainly employ Flickr for its original purpose of photo sharing, and for that I can use the share menu in Google Photos to post pictures, GPS data intact, to Flickr.

Flickr reps have remained a pleasure to deal with over e-mail, and the most recent one added three free months to my Pro subscription, which was a nice gesture.

But I also don’t feel that I can get too mad here, given that Flickr is my only major social-media platform that isn’t the property of a tech or media conglomerate, having been rescued from Yahoo’s erratic stewardship by the privately-held photo-sharing firm SmugMug in 2018.

And not only does Flickr have the advantage of being Not Google and Not Facebook, its support for albums has no equivalent on Instagram. And its support for Creative Commons licensing (my photos are free for non-commercial use while commercial users are welcome to pay) and groups of like-minded photographers (for instance, Capital Weather) have no equivalents at either Instagram or Google Photos.

I don’t even mind having this expense of a Flickr Pro subscription, now $71.99 a year and increasingly hard to avoid, in my Web-services budget. And while I would not turn down getting a few more months free, I would just as soon see Flickr fix this bug and restore this app to complete functionality.

Google Photos storage won’t be free. Now what?

Almost five and a half years ago, I wrote a post for Yahoo Tech about the launch of the new, free Google Photos service that ran under the headline “Will Google Really Store All Your Photos Forever?” Wednesday, Google answered that question: No, it won’t. At least not for free.

That response came in a corporate post from Google Photos vice president Shimrit Ben-Yair announcing the end of the unlimited-with-imperceptible-compression picture storage that Google had touted at its I/O developer conference in San Francisco in a simpler time:

Starting June 1, 2021, any new photos and videos you upload will count toward the free 15 GB of storage that comes with every Google Account or the additional storage you’ve purchased as a Google One member.

I don’t have to worry about this just yet. Beyond “only” having squirreled away 4.4 gigabytes of images and video on Google Photos–a rate of accumulation that Google estimates won’t push me past that 15 GB threshold for another year–my Pixel 3a phone entitles me to continued free backup from that device.

But at some point, I’ll retire that phone and may need to make some budgetary decisions. My USA Today colleague Jefferson Graham outlined the major alternatives in a post Wednesday. Leaving out Apple’s Android-excluded iCloud and assuming yearly discounts, here are the cheapest options:

  • Amazon (unlimited storage, included with $119/year Prime Account)
  • Dropbox (2 TB, $119.88/year)
  • Flickr (unlimited, $60/year)
  • Google (100 GB, $19.99/year)
  • Microsoft (100 GB, $23.88/year)

As it happens, I’m already paying for three of those–I’m an Amazon captive like everybody else, I’ve paid for Flickr Pro since 2011, and I subscribe to the 1 TB tier of Microsoft 365 for easy backup of my Windows laptop. (I also pay Google for 100 GB of storage for my G Suite work account, but that’s separate from the everyday Google account I use on my Android phone.)

I already have Flickr set to back up my photos–although the app only does that when I open it, not in the background–so that would seem the logical fallback option. That service also offers the advantage of existing outside the orbits of the tech giants. But although Flickr has worked to apply some machine-learning techniques to photo searches, it’s nowhere as good as Google at finding photos without a human-written title or description: A search for “eggs” in Google Photos yields 19 photos, only two of which don’t feature actual eggs. On Flickr, that nets me one photo, a close-up of fingertips.

So the easiest choice for me, for now, is to change nothing and hope I can stay under that 15 GB limit. One thing I will do, and which you can as well to free up some space: Clean out your Gmail by searching for and deleting messages from certain senders older than a set number of days, weeks or months (as I told USA Today readers back in 2012, when daily-deal messages were a serious consumer of inbox space).

But maybe I’m wrong. Here’s your chance to show that: Take the survey below and then leave a comment explaining your choice.

At least I’m getting caught up with my photography

I’m old enough to remember putting pictures into photo albums as a regular rainy-day activity, so now that we’re in an endless series of metaphorical rainy days I’m not surprised to find myself finally editing, captioning, organizing and sharing old photos.

And I’m not surprised to doing this on Flickr, because I’m old enough to have started using social media before that term meant Facebook and Twitter. I’ve tried to keep up with sharing new photos there–both as I take individual ones that interest me and in album form (photoset form, if you’re an old-timer like me) after I come back from trips and events.

But those same trips and events also often got in the way of me taking the time to edit, caption, organize and share. Because Flickr isn’t Instagram, I want to take the time to make sure I’ve decided what makes one photo better than those I took immediately before and after and therefore worth including in an album–and then crop it just so and write a correct and useful caption instead of throwing in a clever phrase and stamping the pic #travel.

So my Flickr output lagged, even though as a paying Flickr Pro user I should want to get the most out of my money.

Now, however, I have nowhere to go and a lot more free time. So my photostream may have looked more like a time machine as I’ve finally posted albums from such past happenings as the 2018 edition of the IFA tech trade show, an hour or so I spent last April flying above Sonoma County in a friend’s plane, and last year’s Web Summit.

I’ve also filled out such older albums as my set of ballpark pictures and my collection of window-seat photos from aircraft. And each time I do this, I come across more old photos that I don’t want to keep confined to my private backup.

I worried at first that seeing pictures of interesting places that I can’t visit now or anytime soon would depress me, but instead this exercise has reminded me of what I like about photography. And at least that’s one hobby I can still pursue in my backyard if I must.

 

Yes, I still use Flickr

My oldest social-media hangout is no longer the property of my biggest client’s corporate parent, and I am okay with that.

Flickr Android appLast night brought word that Verizon’s Oath division had sold Flickr to the photo-sharing site SmugMug. Jessica Guynn’s USA Today story breaking the news calls Flickr a “faded social networking pioneer,” which is both uncomplimentary and correct.

My Flickr account dates to 2005, and over the subsequent 13 years I’ve seen Flickr suffer a lot of neglect–especially during Yahoo’s pre-Marissa Mayer years, when a succession of inept CEOs let Instagram run away with the mobile market.

Yet not only have I kept on uploading, editing and captioning pictures on Flickr (edit: with the occasional lag in sharing anything), since 2011 I’ve paid for a Flickr Pro membership. That first got me out from under the free version’s 100-megabyte monthly upload cap, but since Yahoo ditched that stingy limit in 2013… well, it’s a tiny monthly cost, and I like the idea of having a social-media account on which I’m not an advertising target with eyeballs to monetize.

Meanwhile, Flickr has continued to do a few things well: welcome both pictures taken with a standalone camera and those shot with a phone; make it easy to present and browse albums of photos (“photosets” if you’re old); support Creative Commons licensing so I can permit non-commercial sharing but prohibit commercial reuse (which required USA Today to pay me for one Flickr photo); and let people share their work in pools (for instance, Greater Greater Washington’s, which has occasionally resulted in my shots getting featured on that blog).

Instagram, where my active presence only dates to February of 2017, is easy, fun and great for engagement–slap #travel on a shot and you’ll get 15 likes in an hour. But it doesn’t do those things. And it’s a Facebook property, which raises the question of just how much of my online identity I need on that company’s servers.

Google Photos offers a fantastic private-backup service, but it, too, belongs to a company that already hosts much of my digital life.

SmugMug hasn’t said much about its plans for Flickr beyond promising not to merge Flickr and SmugMug. But unlike Oath, it has no other lines of business besides photo sharing. And as a privately-owned firm that hasn’t taken outside investments, SmugMug doesn’t need to meet impatient expectations from Wall Street or Silicon Valley. I feel pretty good about this transition, and I doubt I’ll have any big hangups about paying for my next Flickr Pro bill.

Unfinished summer business: updating my Flickr self

August is almost wrapped up, which makes it particularly sad that I still don’t have a Flickr album up for SXSW… as in, the schmoozefest of a conference that happens in March.

Flickr app logoI didn’t mean to let things slide this badly. But with Easter coming only a week after my trip to Austin, it was too easy to let photo-sharing chores wait. And then I didn’t take care of this in the two weeks and change I had between Easter and jetting off to Hong Kong for the IFA Global Press Conference–at which point, my photo debt had begun compounding.

You would think that a photo-sharing service with mobile apps that automatically upload your photos would ease sharing them with the world. But one of my most frequent edits, straightening a photo so the horizon is level, turns out to be maddeningly difficult in a touchscreen interface–unless you lift your fingertip off the display at just the right instant, the image will yaw to the right or left for a moment more and skew your adjustment.

I also suffer from the disease of needing to caption every picture before exposing it to a world that usually has better things to do. So even though I no longer usually need to transfer images from a camera to a desktop app and then geotag and caption them before uploading them to a photo-album site (which itself still beats the picture-sharing options of the 1960s), I haven’t gotten any more efficient at presenting my photographic output.

Hell, I haven’t even remembered to post a newer profile photo at Flickr. If the blurry nature of that shot doesn’t make it clear, the photo in question dates to 2004.

(For anybody asking “Why Flickr?”: Instagram wasn’t an option on my series of Android phones until 2012–and it remains a bad fit for a dedicated camera. I settled on Flickr years before I had any thought of writing for a Yahoo site but continue to enjoy it, even as alternatives have arisen. I mean, Google Photos is pretty great, but don’t I give that company enough business already?)

These impermanent things: going through a near-century of mementos

My mom is getting ready to move to a smaller place, so I’ve spent some of the last few days inspecting a large collection of old photos, papers and scrapbooks that had been collecting dust in the attic.

Dad in 1938One thing I didn’t realize before starting this exercise was how unevenly these old pieces of paper would decay. Black-and-white photos from the 1930s and before (that’s my dad at the right) still look fine, but the brown paper of Mom’s scrapbooks from the 1940s (below) flakes into fine particles at the slightest pressure. There is no preserving some of this stuff.

That’s not an issue I or my heirs will have to deal with, as long as somebody takes a few minutes to copy data to a new storage medium every few years. And if an app exists to open those files, which should be a near-certainty for JPEGs and PDFs.

The other is the frequent absence of metadata. Looking at 1960s photos from cocktail parties–yes, much the same subject material as a typical weekend’s worth of Facebook photos–the only way I can identify their locations, their dates and times, and the people in them is to ask my mom. If Dad took those pictures in his single days, their details will probably remain a mystery, as he died in 1999. At least some of these photos have hand-written captions, some in writing that I can decipher without straining.

Mom's scrapbookThat, too, is a problem we’ll almost never have to deal with again.

It’s now been at least a dozen years since digital cameras went mainstream and we could stop worrying about not knowing the exact instant a photo was taken–assuming you remembered to set the time and adjust the time zone on a digicam. It’s been over eight years since smartphones began automatically geotagging photos. It’s been almost as long since photo-album apps on our computers or on social networks let us tag people in photos and started offering to find more pictures of them. Google Photos can even identify locations and faces in uploaded photos without any such metadata and also promises storage in perpetuity.

So some 50 years from now, when our daughter is going over old photos and videos–presumably in some VR interface–she will have a lot less mystery to deal with. But I hope she’ll come away with the same thought I’ve had while browsing through these keepsakes: You know, Mom and Dad were pretty cool back in the day.

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Post-travel to-dos

Cards and card

I’m through the worst of what I’m not-so-fondly calling Conference Month, and all of this travel is reminding me of the tasks that await each time I come home and finish unpacking.

Let’s see:

  • Do laundry.
  • Catch up on other household chores: sweep the floors, do the dishes, bake bread, reaffirm my earlier decision that the late-summer lawn is a lost cause.
  • Go over my e-mail to see which messages I should have answered three to five days ago.
  • Tag and categorize business expenses in Mint, then verify that I didn’t forget to record any cash transactions in the Google Docs spreadsheet I use for that purpose.
  • Send LinkedIn invitations to people I met on the trip, assuming their profiles show signs of recent life. (Go ahead, call me a tool now.)
  • Throw the latest set of press-kit USB flash drives onto the pile.
  • Scan business cards into Evernote.
  • Download, edit, geotag and caption photos, then post them to Flickr (for public viewing) or Facebook (for friends).
  • Make sure I got the proper frequent-flyer credit for the last round of flights.
  • There’s probably some other chore that should be on this list but that I will only remember when I’m on my way to National or Dulles.

As I write this, there’s a stack of business cards on my desk and several dozen pictures in iPhoto that have not been edited, geotagged, captioned or shared. And I only have five days before my next work trip, the Online News Association’s conference in Los Angeles, so you can imagine how well this is going.

Conference organizers, maybe you could find other months to host your events?

 

Side effect of reviewing gadgets: a largely gadget-free Christmas

Since I see so much gadget coverage timed for the holiday season–and have contributed a fair amount of it in the past–I have to assume that normal people give and get gadgets around the holidays.

Present ornament

But I am not normal! I understand why I rarely get the output of the electronics industry as a present; if a friend worked as a chef, I’d feel intimidated trying to buy kitchen gadgets or cookbooks. And as a freelancer, anything that I could use on the job should come out of my budget so it can land as an expense on my Schedule C at tax time.

But I also rarely buy myself gadgets as presents, even when there’d be no reasonable work connection. For that I blame the advent of CES: Knowing that I’m going to get a peek at the next six months to a year of the electronic industry’s handiwork two weeks after Christmas makes me leery of any non-trivial gadget purchases in the month before.

So what do you get for friends or family in the same disreputable profession that still acknowledges their professional interest? Cheap and non-obvious accessories can work. One of the better gadget-related gifts I ever got was a tiny, silicone smartphone stand that attaches to the phone’s back with a suction cup. It’s helped me stage more than a few phone pictures–and as a bonus, our toddler enjoys sticking it on my forehead.

Of you can try to make your gadget-reviewing pal’s business travel a little more pleasant: Figure out what airline he or she flies most often and buy a day pass to its lounges.

Edited 12/14/2013 to remove a stray sentence fragment.

Feed me, see more (The Magazine meets BuzzFeed)

This story originally ran in issue 15 of The Magazine. You can now read it here by virtue of that publication’s impressively author-friendly contract.

One of the Web’s most popular sites — and the exceedingly rare media property soaking up tens of millions of dollars in venture-capital financing — gets much of its content without asking permission to use it, much less paying for it.

The Magazine BuzzFeed coverThat’s not news. But if you talk to some of the people whose images wind up in BuzzFeed’s endlessly clickable and heavily clicked-upon photo galleries, you may have your expectations overturned, as mine were: most say thanks for the exposure.

BuzzFeed at first looked like an appropriator that took value without returning it, irritating professional photographers who find their work both increasingly valued and increasingly used without compensation. But on closer inspection, BuzzFeed may be finding its way toward a safer course — a careful combination of conventional licensing and curatorial selection.

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Taking gadget-porn photos

One of the lesser-known joys of my work is the chance to take pictures of the gadgets I review. It gives me a chance to exercise whatever photographic talents I may possess, and it frees my editors from running the same PR-provided shots or stock images that every other site can get.

But it’s taken me a while to acquire some basic competence at this weird art form.

The most difficult part of the exercise–still–is keeping dust and reflections out of a shot. In the sort of close-up photos often required for gadget photography, grains of dust can look as big as cookie crumbs–except when you’re looking at the viewfinder or screen of a camera while taking the shot. Likewise, the glossy screens on almost every portable gadget are frighteningly efficient at reflecting overhead lights, nearby windows, any decor on the walls, and the camera itself.

I deal with dust by taking a microfiber cloth, the kind you get for free with a new pair of glasses, to the device I want to photograph–even if it looks pristine. Then I repeat the exercise. As for reflections, you can avoid some of them by angling the device’s screen in just the right direction. But it’s easier to prop up a large sheet of posterboard in a position where its expanse of white will be reflected on the screen. In rare cases, you can use a reflection for artistic purposes.

Posterboard also makes for a decent backdrop, but it doesn’t exactly add any excitement to the composition. Instead, sometimes I’ll hold a phone in front of an expanse of wall or window and let the shallow depth of field provided by a macro focus blur out that  scenery.

Not often enough, I will think of a background that’s both more interesting and actually relevant to the subject–like when I parked an Apple TV and a Roku receiver on top of a page of TV listings. Putting a digital device next to a comparable analog object can yield interesting results too.

Or I can shoot so tightly that you can’t see anything else but a detail on the back or the screen of a device. The trick is to ensure that only the relevant plastic or pixels is left in focus to command a viewer’s attention; it would help if more cameras included the tap-to-focus feature offered by some smartphones.

You don’t need much of a camera for this sort of photography. Anything with a decent macro-focus mode and optical image stabilization (to compensate for the longer exposure times needed for indoor shots) should work. That allows for most point-and-shoot cameras–I’ve taken most of the shots linked to here with the cheap Canon I bought in 2007–but I’ve gotten decent results with some phones and tablets too.

Whatever the model, don’t even think of using the flash. You will quadruple your dust and reflection problems and make the device look too pale. You want to avoid that kind of sloppy result whether you’re trying to provide an accurate illustration in a gadget review or you just want a non-ugly photo for eBay–which is where I started picking up on some of these lessons.

If you have other tips or suggestions, I’ll take them in the comments.